AIDS in German Literature, Theatre, and Film. The Cultural Dramaturgy of Disorder
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BORIS DOI
Date of Publication
July 20, 2014
Publication Type
Conference Item
Division/Institute
Language
English
Description
Background
The paper sheds light on the development of the cultural representation of HIV/AIDS in Germany, Austria and Switzerland from the 1980ies until present. It analyses the contribution of literature, theatre, and film to the public discourse about HIV/AIDS and characterises the rhetorical and iconographic strategies used to construct, represent, and discuss the disease and deal with it. The presentation shows which functions literature, theatre and film have performed within the HIV/AIDS discourse during the last 30 years in German speaking countries.
Methods
Having a background in Cultural Studies, Theatre Studies and German Studies the study uses methods from these disciplines to analyse the reception of aesthetic strategies – the ‘what’ and ‘how’ – of literary, theatrical and cinematic representations of HIV/AIDS on a micro level. On a macro level interdiscourse analysis (Jürgen Link) and sociological systems theory (Niklas Luhmann) are applied to describe the dramaturgical development of the HIV/AIDS discourse in German speaking countries.
Results
The public HIV/AIDS discourse in German speaking countries can be divided into seven stages characterised by different dominant modes of representing HIV/AIDS: exclusion and blame, prevention, integration, refuse of integration, apocalyptic scenarios, thrill, and normalisation. The dramaturgy of the HIV/AIDS discourse is initialised by the occurrence of the new disease in the 1980ies. In the first years it followed the pattern of historical epidemic discourses (plague, leprosy, syphilis). Since then, two major plotpoints have changed the structure of the discourse altogether: the discovery of the HI-Virus and the introduction of combined antiretroviral therapy. In the 21st century HIV/AIDS starts to become normalised. Nevertheless discrimination patterns known from the HIV/AIDS discourse of the 1980ies can be found again in medial representations.
Conclusions
The paper discusses the complex relationship between cultural and medical communication in the face of HIV/AIDS. Literature, theatre, and film perform different functions dealing with the disease:
1. feeding rhetorical and iconographic representations into the public discourse
2. observing and documenting the discourse about HIV/AIDS in the mass media
3. intervening in the public discourse through criticism or alternative interpretations
4. offering coping / passing strategies and strategies of assigning meaning to the disease.
The paper sheds light on the development of the cultural representation of HIV/AIDS in Germany, Austria and Switzerland from the 1980ies until present. It analyses the contribution of literature, theatre, and film to the public discourse about HIV/AIDS and characterises the rhetorical and iconographic strategies used to construct, represent, and discuss the disease and deal with it. The presentation shows which functions literature, theatre and film have performed within the HIV/AIDS discourse during the last 30 years in German speaking countries.
Methods
Having a background in Cultural Studies, Theatre Studies and German Studies the study uses methods from these disciplines to analyse the reception of aesthetic strategies – the ‘what’ and ‘how’ – of literary, theatrical and cinematic representations of HIV/AIDS on a micro level. On a macro level interdiscourse analysis (Jürgen Link) and sociological systems theory (Niklas Luhmann) are applied to describe the dramaturgical development of the HIV/AIDS discourse in German speaking countries.
Results
The public HIV/AIDS discourse in German speaking countries can be divided into seven stages characterised by different dominant modes of representing HIV/AIDS: exclusion and blame, prevention, integration, refuse of integration, apocalyptic scenarios, thrill, and normalisation. The dramaturgy of the HIV/AIDS discourse is initialised by the occurrence of the new disease in the 1980ies. In the first years it followed the pattern of historical epidemic discourses (plague, leprosy, syphilis). Since then, two major plotpoints have changed the structure of the discourse altogether: the discovery of the HI-Virus and the introduction of combined antiretroviral therapy. In the 21st century HIV/AIDS starts to become normalised. Nevertheless discrimination patterns known from the HIV/AIDS discourse of the 1980ies can be found again in medial representations.
Conclusions
The paper discusses the complex relationship between cultural and medical communication in the face of HIV/AIDS. Literature, theatre, and film perform different functions dealing with the disease:
1. feeding rhetorical and iconographic representations into the public discourse
2. observing and documenting the discourse about HIV/AIDS in the mass media
3. intervening in the public discourse through criticism or alternative interpretations
4. offering coping / passing strategies and strategies of assigning meaning to the disease.
Official URL
Project(s)
Aids in Literatur, Theater uns Film. Zur kulturellen Dramaturgie eines Störfalls
File(s)
| File | File Type | Format | Size | License | Publisher/Copright statement | Content | |
|---|---|---|---|---|---|---|---|
| AIDS-Poster-V5.pdf | image | Adobe PDF | 5.72 MB | https://www.ub.unibe.ch/services/open_science/boris_publications/index_eng.html#collapse_pane631832 | published |