DC FieldValueLanguage
dc.contributor.authorKing, Katelyn Roseen
dc.date.accessioned2024-03-06T09:30:09Z-
dc.date.available2024-03-06T09:30:09Z-
dc.identifier.urihttp://hdl.handle.net/20.500.12422/439-
dc.descriptionData taken from the creation and performances of 4.48 Psychose at Deutsches Theater Berlin.en
dc.description.sponsorshipBern University of Applied Sciences*
dc.description.sponsorshipInstitute of Musicology*
dc.language.isoenen
dc.rightsCC-BY-NC*
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/*
dc.subjectTheatre-musicking; German Contemporary theatre; Ulrich Rasche; Nico van Wersch; Contemporary Choirs in Theatre; ethnographic rehearsal researchen
dc.subject.ddcDewey Decimal Classification::700 - Arts::780 - Musicen
dc.titleSupplementary Material to “The Choir as a Pivotal Element in the Synthesis of Language and Sound: Ulrich Rasche’s Musical Theatre”en
dc.typeDataseten_US
dc.identifier.doihttps://doi.org/10.48620/391-
dc.contributor.typeProjectLeaderen
dc.contributor.orcid0009-0000-0521-9384en
dc.contributor.affiliationBern University of Applied Sciencesen
dc.access.rightsopenen
rd.checklist.noPrivateUploadtrue-
rd.checklist.consenttrue-
rd.contributor.primarycontactHauck, Caitien
rd.contributor.primarycontactaffiliationInstitute of Musicologyen
item.fulltextWith Fulltext-
item.languageiso639-1en-
item.cerifentitytypePublications-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.grantfulltextopen-
item.openairetypeDataset-
crisitem.author.orcid0009-0000-0521-9384-
crisitem.primarycontact.deptInstitut für Musikwissenschaft - Historische Musikwissenschaft-
crisitem.primarycontact.deptInstitute of Musicology-
crisitem.primarycontact.orcid0000-0003-0639-068X-
crisitem.orgunit.parentorgunitFaculty of Humanities-
crisitem.orgunit.parentorgunitFaculty of Humanities-
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