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De l'inertie des formes fixes à l'écriture libre

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BORIS DOI
10.48549/4836
Subtitle
structures des chansons françaises dans la "génération de 1528"
Abstract
This work proposes to study the structural phenomena taking place in the repertoire of French songs published between 1528 and 1552. The analysis focuses both on a representative corpus of works from this period and on specific publications that reflect the dynamics of the music market. The study starts with structural markers linked to previous generations, then establishes a formal tripartite typology, before questioning the notion of ‘freedom of writing’. The study shows that the chanson nouvelle, on the one hand, corresponds to structural similarities, but on the other hand is characterized by great flexibility, which in turn is in line with the history of ideas of the French Renaissance.
Date of Publication
2022
Year of graduation
2022
Theses Type
dissertation
Subject(s)
700 Arts > 780 Music
900 History > 940 History of Europe
Language(s)
fr
Author(s)
Vallat, Luc
Faculty/Graduate School
Faculty of Humanities  
Institute
Institute of Musicology  
Access(Rights)
open.access
Primary OA Publication
true
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