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  3. Chronicling Reggae and Hip-Hop’s Crossroads and Communi-ty Media as Historical Archives from the Ground Up
 

Chronicling Reggae and Hip-Hop’s Crossroads and Communi-ty Media as Historical Archives from the Ground Up

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BORIS DOI
10.48620/94878
Official URL
https://www.degruyterbrill.com/document/doi/10.1515/9783839470527-013/html?srsltid=AfmBOoqW1NXTIMOfL_M1XRd4jEqdgWlrIRYv3m8iff8ssgu7CgAf2AwG
Publisher DOI
10.1515/9783839470527-013
Description
In this chapter, I first establish some historical background concerning reggae’s arrival and subsequent reception in New York. Thereafter, I illustrate details of the “Hip Hop x Dancehall Takeover” event, which took place at the VP Records Retail store on Jamaica Avenue, Queens, on April 23, 2022, during one of my extended research stays in NewYork. I use this as a starting point to highlight the activities of two longstanding New York-based archivists, ambassadors and activists of reggae and hip-hop culture in attendance: Ralph McDaniels, founder of landmark hip-hop television show, Video Music Box, established in 1983; and Shaun Walsh, who in the following decade founded Flatbush, Brooklyn-based community media channel Whatz Up NY TV.
Date of Publication
2024-12-31
Publication Type
Book Section
Language(s)
en
Contributor(s)
Barber, James
Graduate School of the Arts and Humanities (GSAH)
Editor(s)
Barber, James
Büschges, Christian
Mausfeld, Dianne Violeta
Sweers, Britta
Additional Credits
Walter Benjamin Kolleg (WBKolleg)
Graduate School of the Arts and Humanities (GSAH)
Publisher
Transcript Verlag
ISBN
9783839470527
Book Title
Remixing the Hip-Hop Narrative: Between Local Expressions and Global Connections
Access(Rights)
open.access
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