Publication:
The Profanation of Montage: Pasolini’s Allegorical Death/Cut in the Sequence-Shot

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cris.virtual.author-orcid0000-0003-3089-0297
cris.virtualsource.author-orcid0445809f-c6cf-4c15-a764-a252d6c2283d
datacite.rightsmetadata.only
dc.contributor.authorHildebrandt, Toni
dc.date.accessioned2024-10-24T16:49:47Z
dc.date.available2024-10-24T16:49:47Z
dc.date.issued2015
dc.description.sponsorshipInstitut für Kunstgeschichte
dc.identifier.urihttps://boris-portal.unibe.ch/handle/20.500.12422/139645
dc.language.isoen
dc.publisherSenses of Cinema Inc.
dc.relation.ispartofSenses of Cinema
dc.relation.issn1443-4059
dc.relation.organizationDCD5A442BA42E17DE0405C82790C4DE2
dc.relation.organizationDCD5A442BD91E17DE0405C82790C4DE2
dc.subject.ddc700 - Arts
dc.titleThe Profanation of Montage: Pasolini’s Allegorical Death/Cut in the Sequence-Shot
dc.typearticle
dspace.entity.typePublication
oaire.citation.volume77
oairecerif.author.affiliationInstitut für Kunstgeschichte
oairecerif.identifier.urlhttp://sensesofcinema.com/2015/pier-paolo-pasolini/sequence-shot/
unibe.contributor.rolecreator
unibe.description.ispublishedpub
unibe.eprints.legacyId78587
unibe.refereedtrue
unibe.subtype.articlejournal

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