Publication: Die erste Rezeption russischer Opern in Italien: Ein Leben für den Zaren in Mailand
| cris.virtualsource.author-orcid | 4354ca0f-28c4-4eaa-a77e-cedeee5d0014 | |
| datacite.rights | restricted | |
| dc.contributor.author | Ottomano, Vincenzina | |
| dc.date.accessioned | 2024-10-14T15:48:05Z | |
| dc.date.available | 2024-10-14T15:48:05Z | |
| dc.date.issued | 2012 | |
| dc.description.numberOfPages | 14 | |
| dc.description.sponsorship | Institut für Musikwissenschaft | |
| dc.identifier.doi | 10.7892/boris.40209 | |
| dc.identifier.publisherDOI | 10.1556/SMus.52.2011.1-4.10 | |
| dc.identifier.uri | https://boris-portal.unibe.ch/handle/20.500.12422/112595 | |
| dc.language.iso | de | |
| dc.publisher | Akadémiai Kiadó, Budapest | |
| dc.relation.ispartof | Studia Musicologica | |
| dc.relation.issn | 1788-6244 | |
| dc.relation.organization | Institute of Musicology | |
| dc.subject.ddc | 700 - Arts::780 - Music | |
| dc.title | Die erste Rezeption russischer Opern in Italien: Ein Leben für den Zaren in Mailand | |
| dc.type | article | |
| dspace.entity.type | Publication | |
| dspace.file.type | text | |
| oaire.citation.endPage | 156 | |
| oaire.citation.issue | 1-4 | |
| oaire.citation.startPage | 143 | |
| oaire.citation.volume | 52 | |
| oairecerif.author.affiliation | Institut für Musikwissenschaft | |
| unibe.contributor.role | creator | |
| unibe.description.ispublished | pub | |
| unibe.eprints.legacyId | 40209 | |
| unibe.refereed | false | |
| unibe.subtype.article | journal |
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