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On Music and Political Concerns: An Interview with Hilda Paredes

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dc.contributor.authorVelasco Pufleau, Luis Alberto
dc.contributor.authorParedes, Hilda
dc.date.accessioned2024-10-05T11:51:31Z
dc.date.available2024-10-05T11:51:31Z
dc.date.issued2020
dc.description.abstractIn this interview, the Mexican composer Hilda Paredes talks about the political and ethical concerns which are involved in her music. She shares her thoughts about the relationship between her music and contemporary Mexican indigenous poetry, the connexion between gender issues and social justice, the burden of racism, the embodied experience of violence, the destruction of language, and the relationship her creative process has with environmental concerns. We discuss these issues in relation to several of her works, in particular Kamex ch’ab (2010), El Palacio imaginado (2003), La tierra de la miel (2013), Harriet (2018) and Rainy days (2019). The result is an exploration of how she tackles in each work these issues by constructing networks of events, places and people.
dc.description.abstractEn esta entrevista, la compositora mexicana Hilda Paredes habla de las preocupaciones políticas y éticas que están implicadas en su música. Expone sus ideas sobre la relación de su música con la poesía indígena mexicana, la conexión entre cuestiones de género y la justicia social, el peso del racismo, la experiencia corporal de la violencia, la destrucción del lenguaje, y la relación que tiene su proceso creativo con preocupaciones medioambientales. Abordamos estas cuestiones en relación con varias de sus obras, en especial Kamex ch’ab (2010), El Palacio imaginado (2003), La tierra de la miel (2013), Harriet (2018) y Rainy days (2019). El resultado es una exploración de cómo aborda en cada obra las cuestiones mencionadas mediante la construcción de redes de eventos, lugares y personas.
dc.description.numberOfPages22
dc.description.sponsorshipWalter Benjamin Kolleg, Interdisziplinäres Forschungs- und Nachwuchsnetzwerk (IFN)
dc.identifier.doi10.7892/boris.146908
dc.identifier.publisherDOI10.33871/23179937.2020.8.2.16
dc.identifier.urihttps://boris-portal.unibe.ch/handle/20.500.12422/55410
dc.language.isoen
dc.publisherUniversidade Estadual do Paraná
dc.relation.ispartofRevista Vórtex
dc.relation.issn2317-9937
dc.relation.organizationDCD5A442C57EE17DE0405C82790C4DE2
dc.relation.organization25EBB558BA27235CE053960C5C823580
dc.relation.organization24E66E30A2533F7DE053960C5C823D30
dc.relation.projectPolitical Ontologies of Music: Rethinking the Relationship between Music and Politics in the Twentieth and Twenty-First Centuries
dc.relation.urlhttps://doaj.org/toc/2317-9937?source=%7B%22query%22%3A%7B%22filtered%22%3A%7B%22filter%22%3A%7B%22bool%22%3A%7B%22must%22%3A%5B%7B%22terms%22%3A%7B%22index.issn.exact%22%3A%5B%222317-9937%22%5D%7D%7D%5D%7D%7D%2C%22query%22%3A%7B%22match_all%22%3A%7B%7D%7D%7D%7D%2C%22size%22%3A100%2C%22sort%22%3A%5B%7B%22created_date%22%3A%7B%22order%22%3A%22desc%22%7D%7D%5D%2C%22_source%22%3A%7B%7D%7D
dc.relation.urlhttps://doaj.org/article/1d73abfe5c8b45488337d6aa289874f0
dc.subjectMexican indigenous poetry
dc.subjectMusic and politics
dc.subjectfeminism
dc.subjectpostcolonialism
dc.subjectmusic composition
dc.subjectMexico
dc.subjectHilda Paredes
dc.subjectHarriet Tubman
dc.subject.ddc700 - Arts::780 - Music
dc.titleOn Music and Political Concerns: An Interview with Hilda Paredes
dc.typearticle
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oaire.citation.endPage22
oaire.citation.issue2
oaire.citation.startPage1
oaire.citation.volume8
oairecerif.author.affiliationWalter Benjamin Kolleg, Interdisziplinäres Forschungs- und Nachwuchsnetzwerk (IFN)
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oairecerif.author.affiliation2Institut für Musikwissenschaft
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oairecerif.identifier.urlhttp://vortex.unespar.edu.br/velasco_pufleau_paredes_v8_n2.pdf
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unibe.contributor.rolecreator
unibe.date.licenseChanged2021-03-09 14:46:53
unibe.description.ispublishedpub
unibe.eprints.legacyId146908
unibe.refereedTRUE
unibe.subtype.articlejournal

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