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  3. Femininity and Dance in Egypt: Embodiment and Meaning in al-Raqs al-Baladi

Femininity and Dance in Egypt: Embodiment and Meaning in al-Raqs al-Baladi

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DOI
10.48350/186720
Abstract
An examination of the cultural meanings of “belly dance” in Egypt.

Considering the paradoxical position of al-raqs al-baladi or “belly dance” in Egyptian social life, as both a vibrant and a contested cultural form, this issue of Cairo Papers in Social Science considers the impact of wider socio-cultural and political forces on the marginalization of professional performers, on the one hand, and in defining the parameters for non-professional performances on the other hand. Through interviews with professional and non-professional female dancers in Egypt, it explores the relationship between al-raqs al-baladi and the dynamic cultural repertoire that produces notions of femininity and normative personhood in Egypt. As a dance that Egyptians learn in childhood, it exposes the cardinal relationship between culture and body movement. The study received the Magda al-Nowaihi Award for best graduate work on gender studies in 2010.
Date Issued
2013
Publication Type
Book
Subject(s)
300 Social sciences, sociology & anthropology
Language(s)
en
Author(s)
Roushdy, Noha  
ISNO - Geistesgeschichte  
Institut für Studien zum Nahen Osten und zu muslimischen Gesellschaften (ISNO)  
Additional Credits
ISNO - Geistesgeschichte  
Institut für Studien zum Nahen Osten und zu muslimischen Gesellschaften (ISNO)  
Journal
Cairo Papers in Social Science
Publisher
American University in Cairo Press
ISBN
978-977-416-593-1
Access(Rights)
restricted
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