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  3. Analog versus digital: How human perception adapts to new film aesthetics

Analog versus digital: How human perception adapts to new film aesthetics

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DOI
10.7892/boris.85002
Official URL
http://ecem2015.univie.ac.at/about-ecem-2015/conference-programme/
Abstract
The digital revolution changed film production in many ways. But so far, nobody has com- pared complete narrative films captured with analog and digital cinematography empir- ically. In two cinema experiments (356 participants in experiment 1, 137 participants in experiment 2), we tested whether digital and analog recording methods are perceived dif- ferently. Eye tracking analysis of 67 participants was carried out to compare the perception of typical film scenes. The two capturing technologies produced similar emotional and im- mersive experiences during digital projection. The study revealed significant differences in the memory of visual details with higher recall scores for the digitally captured versions. Moreover, the mechanical projection of celluloid film produced higher levels of emotional reactions. New possibilities of analyzing film perception are discussed.
Date Issued
2015-08-19
Publication Type
Conference Item
Subject(s)
100 Philosophy > 150 Psychology
700 Arts > 770 Photography & computer art
Language(s)
en
Author(s)
Loertscher, Miriam Laura  
Institut für Psychologie, Kognitive Psychologie, Wahrnehmung und Methodenlehre  
Weibel, David  
Institut für Psychologie, Kognitive Psychologie, Wahrnehmung und Methodenlehre  
Flueckiger, Barbara
Spiegel, Simon
Mennel, Pierre
Mast, Fred  
Institut für Psychologie, Kognitive Psychologie, Wahrnehmung und Methodenlehre  
Groner, Rudolf  
Emeriti, Phil.-hum. Fakultät  
Iseli, Christian
Additional Credits
Institut für Psychologie, Kognitive Psychologie, Wahrnehmung und Methodenlehre  
Emeriti, Phil.-hum. Fakultät  
Title of Event
18th European Conference on Eye Movements (ECEM)
Access(Rights)
open.access
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