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Supplementary Material to “The Choir as a Pivotal Element in the Synthesis of Language and Sound: Ulrich Rasche’s Musical Theatre”

cris.virtual.author-orcid0009-0000-0521-9384
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cris.virtualsource.author-orcid4e0eb8e9-b15f-4c2e-b33d-bb5a25bdb375
cris.virtualsource.department4e0eb8e9-b15f-4c2e-b33d-bb5a25bdb375
dc.access.rightsopenen
dc.contributor.authorKing, Katelyn Roseen
dc.date.accessioned2024-03-06T09:30:09Z
dc.date.available2024-03-06T09:30:09Z
dc.descriptionData taken from the creation and performances of 4.48 Psychose at Deutsches Theater Berlin.en
dc.description.sponsorshipBern University of Applied Sciences*
dc.description.sponsorshipInstitute of Musicology*
dc.description.sponsorshipInstitute of Musicology
dc.description.sponsorshipBern University of Applied Sciences
dc.identifier.doi10.48620/391
dc.identifier.urihttp://hdl.handle.net/20.500.12422/439
dc.language.isoenen
dc.rightsCC-BY-NC*
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/*
dc.subjectTheatre-musicking; German Contemporary theatre; Ulrich Rasche; Nico van Wersch; Contemporary Choirs in Theatre; ethnographic rehearsal researchen
dc.subject.ddcDewey Decimal Classification::700 - Arts::780 - Musicen
dc.titleSupplementary Material to “The Choir as a Pivotal Element in the Synthesis of Language and Sound: Ulrich Rasche’s Musical Theatre”en
dc.typeDataseten_US
dspace.entity.typeProduct
dspace.file.typeresearch data
dspace.file.typeresearch data
dspace.file.typeresearch data
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oairecerif.author.affiliationBern University of Applied Sciencesen
rd.checklist.consenttrue
rd.checklist.noPrivateUploadtrue
unibe.contributor.orcid0009-0000-0521-9384en
unibe.contributor.primarycontactHauck, Caitien
unibe.contributor.roleProjectLeaderen
unibe.primarycontact.affiliationInstitute of Musicologyen

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